The great 29th century political cartoonist Thomas Nast (wiki) is widely credited with having created the look of Santa Claus as we know him today. Inspired by Clement Moore’s* description of the “jolly old elf” in his 1823 poem A Visit from St. Nicholas, aka The Night Before Christmas, Nast first depicted Santa in the January 3, 1863, issue of Harper’s Weekly.
Zoomable image here |
On the cover was a scene captioned “Santa Claus in Camp” in which Saint Nick brings toys and good cheer to Union soldiers. It seems that Santa, much like Nast himself who was a staunch Republican and abolitionist, had picked a side in the Civil War, and he wasn’t at all subtle about it.
Santa’s blue (of course) coat has white stars on it and his pants have red and white stripes, similar to garb donned by other patriotic icons drawn by Nast like Columbia and Uncle Sam. He has delivered parcels to the soldiers. One finds a sock inside, doubtless a welcome gift in the bleak midwinter after the devastating loss at Fredericksburg which saw more than 12,000 of his comrades killed, wounded or taken captive. A drummer boy in the foreground stares with wide-eyed surprise at the jack-in-the-box that leapt out of his present.
But it’s the toy Santa is holding that is most remarkable. Here’s Harper’s explanation of it:
Santa Claus is entertaining the soldiers by showing them Jeff Davis’ future. He is tying a cord pretty tightly round his neck, and Jeff seems to be kicking very much at such a fate.
Read the whole rather fascinating post at The History Blog, including this:
After the war, Nast continued to draw Santa Claus for seasonal issues of the magazine. It was Thomas Nast who introduced the idea that Santa Claus has a toy workshop in the North Pole, although in his vision Santa did all his own labour.From 1865, a less bloodthirsty version of Santa appeared:
Zoomable image here |
By Christmas of 1865, Santa’s wartime support of the Union had softened from stringing up effigy Jefferson Davis with his own hands to presiding over a Christmas pageant starring Ulysses S. Grant as the giant killer from Jack and the Beanstalk. Sure, the decapitated heads of Confederate generals Robert E. Lee, John Bell Hood and Richard Ewell are at Grant’s feet, but it’s just metaphoric playacting and anyway Santa’s involvement is restricted to a wink and an avuncular smile, possibly a touch on the gloating side.
* There have been some questions raised about Clement Moore's authorship of this poem - this article sums up the controversy.